Emvergeoning

Following up on my post earlier this week about the history of the Wilhelm Scream, here’s a video about one of the most ubiquitous samples in contemporary music — the Amen Break. Like the Wilhelm Scream, the Amen Break has been woven into an astounding number of otherwise unrelated works from a wide range of styles and genres. Towards the end, this video also deals with the copyright issues surrounding sampling and appropriation art, and while it doesn’t really break any new ground in this respect, it may be of interest to those who haven’t spent much time with these issues.

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Obama by Zane Lewis

Coincidentally (as far as I can tell), Kriston Capps and Edward Winkleman both posted on Barack Obama’s arts policies today. (I’m guessing they’re focusing on Obama because he’s the only major candidate to put out much of a policy statement on the arts.) Capps lays out Obama’s modest but well-intentioned white paper on the arts, and then suggests a couple of policies of his own. First he suggests amending the tax code as it relates to fractional gifting of artworks to museums. Second, he advocates for the creation of a Department of Culture:

Nothing would do more to promote cultural diplomacy and attract foreign talent than to join the world by creating a proper ministry of culture. And in fact, recent experience has proved that the United States cannot afford to act without one. The disastrous looting of historical artifacts from Iraqi museums and sites might have been avoided if there were an official organ advising the President on the cultural situation of nations and regions that also represent strategic U.S. interests. To the extent it behooves relations for the New York Philharmonic Orchestra to play Pyongyang, it behooves the nation to seek out and sanction similar opportunities. And by all means, a Department of Culture could guide policy.

The upshot of Winkleman’s post is that although arts education should be funded,

I don’t think art’s potential as a social force in its own right is affected by how much the government supports it financially as much as personally, actually. I think a President should demonstrate this potential by inviting artists to the White House and being seen taking in exhibitions at museums and such, sending the message that art appreciation is a personal experience. Trying to suggest it benefits our national soul will enrage a good portion of the population. You can’t make that horse drink.

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Some enterprising movie nerds have traced the history of a stock scream sound effect now known as the “Wilhelm Scream” (the original title in the Warner sound effects archives was “Man Being Eaten by Alligator”). The sound effect has been used in over 75 movies, including all the Star Wars and Indiana Jones movies, as well as a number of TV shows and even video games.

This is an interesting counterpoint to a performance by Chris Kubick and Anne Walsh at UTSA last spring, which paired movie sound effects with their titles from the stock sound effect catalogs. Kubick and Walsh built collections of comparable sounds such as various recordings of ringing bells or galloping horses and created a program that projected the name of each sound effect as it was being played, showing the huge variety of linguistic associations that can be made with very similar sounds.

(via The Plank)

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I snuck in and got a photo of SA’s Karen Mahaffey working on her new show in Gallery 4 @ Blue Star yesterday. Its opening this coming Thursday March 6, 2008. The usual First Friday festivities will follow the next day.

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