Bryant at Sala Diaz
Posted by thomas-cummins on 21 Apr 2009 at 11:20 am | Tagged as: upcoming events
| Fri, Apr 24 | ||
| 9:00 pm | to | 11:00 pm |
| Host: |
Hills Snyder
|
| Type: |
–
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| Network: |
Global
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| Start Time: |
Friday, April 24, 2009 at 9:00pm
|
| End Time: |
Monday, May 25, 2009 at 5:00pm
|
| Location: |
Sala Diaz
|
| Street: |
517 Stieren
|
| City/Town: |
San Antonio, TX
|
|
|
| Phone: |
2108524492
|
| Email: |
Dave Bryant: Don’t Get Caught
Description
Wash your face before entry.
The Rules:
1. No questions.
2. No answers.
The squirrel is squished under the tire. There are footprints in the snow. A reward is being offered for the details. You can put $1 in the box. She is glowing for the Starman. The rags are covered in patina. The black cat is watching you. Plus several other things, including: a colorful drawing and frames with both regular and plexi glass.
Dave Bryant lives in south Austin but works in north Austin. Sometimes he may question whether he is actually ‘living’. But he never gets around to questioning the ‘working’. Probably because someone is always calling to talk about work and no one wants to call and talk about ‘life’ (thankfully).
Sala Diaz is a 501 (C)(3) non-profit space supporting the San Antonio community with exhibitions of local, national and international artists and is located at 517 Stieren, near the intersection of South Alamo and South Saint Mary’s Street in the heart of the Restaurant Supply District. Open weekly, Thursday – Saturday from 2 – 6 PM and every First Friday at 9 PM. Sala Diaz is sponsored by Fluent Collaborative, Liberty Bar, The National Endowment For The Arts and numerous private individuals.
…the typewriter that, due to its rigidity and its spacce precisions, it can, for a poet, indicate exactly the breath, the pauses, the suspensions even of syllables, the juxtapositions even of parts of phrases, which he intends. For the first time the poet has the stave and the bar a musician has had. For the first time he can, without the convention of rime and meter, record the listening he has done to his own speech and by that one act indicate how he would want any reader, silently or otherwise, to voice his work.