Dubitandum
Posted by thomas-cummins on 08 Jan 2009 at 11:39 pm | Tagged as: essays, responses/reviews, wordy
Just saw ‘Doubt‘ and it’s definitely worth a trip to the theater but I’m interested in Winkleman’s response to the film and his concern with the word doubt and how artists are suffering from a lack of certainty as well as religion – “Consider this an open thread on vital religious/spiritual impulses, art making, and whether or not any of this is new.”
Indeed, this is not new, and doubt has always been at the root of philosophy. The father of Western philosophy, Socrates, once famously agreed he was the wisest man in Athens because he knew that he knew nothing. Cartesian doubt was named after the father of Modern philosophy, Rene Descartes, and his credo to “doubt everything” (”de omnibus dubitandum est”) in an attempt to find a foothold of certainty on which his philosophy could firmly stand. Descartes noted that, more often than not, things are not the way they appear to be and that our senses often fool us – a stick might seem bent under water or we often awake from dreams that we mistaken for reality and, in the end, we could never truly know if Surrounded by all this uncertainty, however, we can never doubt the fact we are doubting and this naturally led to his bedrock “I think, therefore, I am.” Eventually, Critical Theory would derive its name from Kant’s ‘Critique of Pure Reason‘ (and Judgment) in his criticism of possible knowledge and in a response to David Hume’s radical skepticism.
Winkleman notes “how debilitating uncertainty is” but doubt has proven itself the greatest ally to artists. Marxist theory contends that the primary function of art is social criticism and it is certainly true that art perpetually doubts the ideology of the reigning majority. Indeed, Kierkegaard points out that the word ‘doubt’ is etymologically related to the word ‘double’ – our meaning is always duplicitous – there is always two sides to every story, two sides to every coin, and as Nietzsche would write “there are no facts, only interpretations.” Even the sacred realm of science is not immune from the clutches of doubt and prevailing Theories of Relativity and Quantum Theory actually contradict each other and are probably both wrong. Indeed, our everyday trust in science is a lot closer to a religion than we like to admit. Science is a modern religion of high probability but it can never fully erase doubt. Karl Popper would attack the ultimate futility of science when he harshly pointed out “Science is perhaps the only human activity in which errors are systematically criticized and… in time, corrected” and “all we can do is search for the falsity content of our best theory.” Indeed, Einstein agreed with this final assessment and concluded, himself, that “Only daring speculation can lead us further and not accumulation of facts.” Daring speculation just happens to be the primary realm of the artist. Doubt has certainly been around for a long time, but only in our most enlightened moments.
Texas Public Radio will have a more comprehensive review of “A History of Doubt” at 10am on Sunday. Tune into 89.1 FM to hear the radio show “Speaking of Faith” with poet and historian Jennifer Michael Hecht.
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